// Источники
Это исследование построено на следующих источниках. Вы можете скачать полный лог видеоархива или добавить себе плейлист в Spotify, чтобы прослушать всю музыку из таймлайна.
Исследование продолжается: что и когда появилось на таймлайне и какие тексты переписаны — в журнале изменений.
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La musique concrète/acousmatique, un art des sons fixés
The Electroacoustic Music of Iannis Xenakis
Tratado de los objetos musicales
Virtual musical instruments — natural sound using physical models
Gérard Grisey and Spectral Music
Guide to the Basic Concepts and Techniques of Spectral Music
An Investigation into the Spectral Music Idiom
Rationalizing Culture: IRCAM, Boulez...
Sounding New Media
Electronic and Computer Music
The Synthesizer: A Comprehensive Guide
Unsettling Brian Eno's Music for Airports
Gestural Research at IRCAM
Music and Architecture
Machine Songs V: Pierre Schaeffer...
Analysis Informed by Audio Features
An Analysis of Bernard Parmegiani's 'Incidences'
Experimental Music since 1970
In Search of Lost Sound
120 Years of Electronic Music
Magic Music from the Telharmonium
On Trevor Wishart's Musical Trade-Offs
Gerhard's Electronic Music
La musique spectrale… à terme!
Mapping in Algorithmic Composition
The Names of Minimalism
Musique Concrète Revisited
À la recherche d'une musique concrète
Pierre Schaeffer, 1953
Spectral Music
From the Domaine Musical to IRCAM
Spectromorphology: Explaining Sound-Shapes
Live Electronics and Mixed Media
The Spirit Inside Each Object
Spectral Music: Why Create Compositions...
Design in the Spectral Music
An Introductory Catalogue of Computer Synthesized Sounds
Audible Design
Expanding the Horizon of Electroacoustic Music Analysis
SOUNDSCAPES: Exploring electronic music and Karlheinz Stockhausen
Pierre Boulez: A World of Harmony
The Theory and Technique of Electronic Music
On Sonic Art (2nd Ed)
Artificial Intelligence and Music Ecosystem
Inside Computer Music
Microsound
The Oxford Handbook of Computer Music
L'Envers d'une œuvre: De Natura Sonorum
Music in the Age of Communication and Control
Distant Ecologies: Sci-Fi Film Scores and the Music of the Final Frontier
Generating Albums with SampleRNN to Imitate Metal, Rock, and Punk Bands
Generating Black Metal and Math Rock: Beyond Bach, Beethoven, and Beatles
Music and Artificial Intelligence: Artistic Trends
Uneasy Listening: Towards a Hauntology of AI-Generated Music
The Aesthetics of Failure: "Post-Digital" Tendencies in Contemporary Computer Music
Alternative Histories of Electroacoustic Music
The Archives of the Columbia-Princeton Electronic Music Center
The Columbia-Princeton Electronic Music Center: Educating International Composers
Precursors to the Formation of the Columbia-Princeton Electronic Music Center
Electronic and Experimental Music: Technology, Music, and Culture
Noise, Water, Meat: A History of Sound in the Arts
An Individual Note of Music, Sound and Electronics
Modular Synthesis: Patching Machines and People
Analog Days: The Invention and Impact of the Moog Synthesizer
Oramics: Precedents, Technology and Influence: Daphne Oram (1925-2003)
Fourteen Masterpieces of Electronic Music
What the GRM brought to music: from musique concrète to acousmatic music
Technology and musique concrète: the technical developments of the Groupe de Recherches Musicales and their implication in musical composition
Sound Objects
Live Electronic Music: Composition, Performance, Study
Electroacoustics
Sonic Art: An Introduction to Electroacoustic Music Composition
The Oxford Handbook of Algorithmic Music
Experimental Sound and Radio
Resonances: Noise and Contemporary Music
The Poetics of Noise from Dada to Punk
Live-Electronic Music (in Appleton & Perera, The Development and Practice of Electronic Music)
The Alien Voice: Alvin Lucier's North American Time Capsule 1967 (in Mainframe Experimentalism)
Digital Music Instrument: Analyzing Hand Gesture to Understand Hand Movement towards Music Parameters
Ambient Music as Popular Genre: Historiography, Interpretation, Critique
Writings on Music, 1965–2000
Sound Art and Spatial Practices: Situating Sound Installation Art Since 1958
A Brief History of New Music
Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds
Systems, Objects and Space in the work of Beatriz Ferreyra, Delia Derbyshire, Éliane Radigue and Teresa Rampazzi
A Conversation with Beatriz Ferreyra
Beatriz Ferreyra (interview)
On the Threshold of Beauty: Philips and the Origins of Electronic Music in the Netherlands 1925–1965
From Xenakis's UPIC to Graphic Notation Today
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